More Popular than Ever? Beards and Masculinity in History.

This week came the startling revelation that, in the past year, manufacturers of razors and related goods such as shaving foam, have seen a drop in sales of more than £72 million pounds. Market analysts IRI noted that men’s shopping habits were changing and, even though the total market still accounted for 2.2 billion pounds, this was a substantial dent. The cause of this change? Beards.

Beard
Image from: https://gdblogs.shu.ac.uk/b0027028/2013/12/28/what-is-a-beard/

http://www.express.co.uk/news/uk/511579/Beard-fashion-shaving-products-sales-drop

Nobody can have failed to notice in recent months the ubiquity of facial hair. Keep your eyes open as you walk down your local high street and you will probably notice a variety of styles, with the ‘Amish’ style seemingly especially popular. It is also interesting how newsworthy beards are. Just look at how often they have appeared as a topic for discussion in recent months. The furore caused by Jeremy Paxman’s beard for example. There were lengthy discussions about celebrity beards at the Baftas in 2013, and now the economic revelations about how much the beard is costing.

BAFTA Film Awards 2013 George Clooney Ben Affleck
Image from: http://www.theguardian.com/film/2013/feb/10/baftas-fashion-clooney-affleck-lawrence

This current beard trend is actually very interesting. Over the past 10 years or so beards have been less in vogue. There have been ‘spikes’ of beardedness but these have tended to be of short duration – sometimes only a matter of months. But this latest outcrop of beards has already lasted the better part of eighteen months. By early summer 2013 the idea of ‘peak beard’ was already being put forward. Quoting the head of a major British barbering company, the Guardian suggested that “beards are more popular than ever…there’s a beard culture – people like talking about their beards, feeling their beards’. Now, in September 2014, passion for beards shows little sign of abating and, in many ways, appears to be going from strength to strength.

It is also interesting to note how economics have begun to intrude into the argument. By anyone’s yardstick £72 million is a large chunk of revenue to be lost to what some people see as an irrelevance – something everyday, quirky…even repulsive. In reality though beards have never been anything less than central to men’s conceptions of themselves. Faces, after all, are the most public part of us. The way we present ourselves to others involves all manner of things, from clothing to cosmetics, but the face is the ultimate index of character. The decision to shave, cover or adorn the face has implications for how we see ourselves and wish to be seen by others. Beards actually matter. Quite a lot. And they always have done.

Over the centuries beard trends tended to last for decades. It’s perfectly possible to identify an historical period by its beard hair. Think of sixteenth-century England. The Tudor ‘Spade beard’ was the order of the day. This was the long, oblong outgrowth of facial topiary sported by kings, princes and elites. Doubtless it made its way a lot further down the social scale too. This type of beard is evident in Holbein’s paintings. Not all Tudor men embraced the beard though. Men like Thomas More was a clean-shaven, perhaps in line with his austere lifestyle. Thomas Cranmer was clean-shaven but, it is said, grew a beard as a symbol of his grief upon the death of Henry and of his break with the past. In this sense the beard was a turning point in his life.

Young Cranmer

Old Cranmer!
Both images from Wikipedia

In the seventeenth century Stuart monarchs preferred small, pointed ‘Van Dyke’ beards. Charles I and Royalist ‘Cavaliers’ often sported this type of facial hair together with flowing locks. Masculinity here was remarkably feminine, with flowing, diaphanous gowns and silk breeches the order of the day. Contrast this with Puritans who generally went clean-shaven, believing beards to be a mere bauble. One argument about the origins of the term ‘roundhead’ is that it referred to the shape of the head after the beard and hair had been shaved – a popular parliamentarian style – rather than the shape of helmets.

Roundhead
Image: Wikipedia

Victorian men, after 1850, were characterised by their huge bushy beards. After nearly a century of being clean shaven British men were exalted by a range of new publications with names like Why Shave? which sought to convince them that shaving was little less than a crime against God and nature. The beard was the ultimate symbol of masculinity, and something used as a tool to prove to men that their position of superiority over women was justified. More than this, it was argued, beards had health benefits that simply couldn’t be ignored. They acted as filters to keep germs away from the nose and throat. (See my other post on Victorian beard health).

Mighty beard
Image from: http://www.stgite.org.uk/sgiteclergy1860.html

In the twentieth century, at least up until around 1950, moustaches were much more in vogue. Charlie Chaplin’s ‘toothbrush’ moustache was a cultural icon. Whether or not (as is sometimes suggested) Adolf Hitler grew his because of Chaplin, whose work he admired, is another matter, but the military moustache was a staple of the first decades of the century, from British Tommies to the emblematic RAF pilot’s moustache.

There are many other important aspects to beards. Growing a beard has been an important marker of life stage; the transition from adolescence to adulthood. The first shave is a virtual rite of passage for a teenage boy. On the other hand, in the past, the ‘beardless boy’ has been a symbol of immaturity or even of a lack of sexual prowess.

Indeed the ability to grow a beard has been central to conceptions of masculinity through time. In the early modern period the lack of a beard was viewed in humoural medical terms as the result of a lack of heat in the ‘reins’ and therefore a lack of sexual potency. Men who had a thin, scanty beard were open to suspicion of effeminacy (in the early modern sense literally meaning that they had feminine characteristics). In the nineteenth and even twentieth centuries, so central was the moustache to military regiments that men unable to grow one were expected to wear a false moustache made of goats hair.

How d'ye like me?
Image: Wikipedia

The management of facial hair says much about how men view themselves. During the enlightenment the mark of a civilized man was a clean-shaven face. To be bearded signified loss of control over the self and a rugged masculinity that was not elegant or refined. After 1850, however, as I have noted, the fashion was for huge beards, which were seen then as the ultimate symbol of God-given male authority. In this sense it was the emblem of the Victorian man.

After 1900 with the burgeoning market for shaving apparel and cosmetics the situation became even more complex. It is also noteworthy that the pace of change has quickened. Where beard trends used to last decades, since the 80s they have become more fleeting – probably a result of internet-driven celebrity culture.

If all this is true, what does the current vogue for facial hair tell us about men today? What ideal of masculinity are men in 2014 aspiring to? It is difficult to say. Unlike in the past it is harder to track changes in masculine ideal as they are now much more transitory. Nonetheless, one of the constants has been emulation. In the early modern period monarchs provided a bearded (or indeed clean-shaven) ideal. By the Victorian period powerful and fashionable figures, and new types of industrial and military heroes, offered men something to aspire to. Now, with almost unlimited access to the lives of celebrities through the voracious media and internet, the opportunities to find fashion ‘heroes’ to emulate are almost limitless. The question now is how long this trend will last and, perhaps more interesting, will there be a backlash against the beard? History suggests so.

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The Great Georgian Snuff Debate

We’re used to debates about tobacco. In any given week it’s a fair bet that smoking/cigarettes/e-cigarettes will be food for editorial thought. What the UK’s Guardian recently called a ‘global epidemic of tobacco’ is, according to their statistics, a bigger killer than Malaria, TB and AIDS…combined. Recent scare stories have surrounded e-cigarettes, prompting tabloids to ruminate over the question of whether they might even act as baby steps to full-strength cigs. The central problem with tobacco is its undoubted potential to kill. We think of this as a modern debate about a modern affectation. But, in fact, debates about the healthiness of tobacco have raged for centuries. Three hundred years ago, snuff was at the centre of the storm.

One of the most quintessential emblems of the eighteenth century dandy or fop is the snuffbox. By the mid eighteenth century the practice was ubiquitous…and not to everyone’s taste. In 1754 a disgruntled reader known only as ‘T’ wrote to the editors of the Connoisseur magazine, complaining about the practice.

glindoni_henri_gillard-gallant_taking_snuff~OMccc300~10287_20140205_LFEB14_1072

“Dear Sir, I know not if you yourself are addicted to a filthy practice frequent amongst all ranks of people. The practice I mean is that of snuff-taking…[everyone] appears obliged to cram his nostrils with a quantity of scented dirt to fence them from the disagreeable effluvias of the rest of the company…

It is indeed impossible to go into any large company without being disturbed by this abominable practice. The church and the whole playhouse continually echo with this musick of the nose, and in every corner you may hear them in concert, snuffling, sneezing, hawking and grunting like a drove of hogs’.

To illustrate his point further, ‘T’ claimed to have witnessed ‘a whole congregation suddenly raised from their knees in the middle of a prayer by the violent coughing of an old lady, who has been almost choaked by a pinch of snuff in giving vent to an ejaculation’! Any lady who succumbed to this vile practice was, in their view, no better than a serving wench. Why, then, was snuff so apparently popular?

Snuff first came to Europe in the 16th century and was first advocated as a medicinal product, being used to treat headaches and other conditions. Snuff was manufactured from cured and Tobacco leaves were slowly cured and fermented, and certain ‘flavours’ could be added. Snuff quickly found favour amongst wealthy elites, with prominent advocates including Queens, Popes, nobility and prominent society figures. By the eighteenth century everyone from George IV to Samuel Johnson were hawking vast quantities of powdered tobacco up their nostrils.

Snuff takers

Advertisments promoted special types of snuff. The ‘Golden Snuff’ advertised in the Daily Courant in 1704 counted headache, drowsiness, dullness of hearing and humours in the eye amongst the list of afflictions readily cured. Also of use in ‘Gouty and Rhewmatick paines and for asswaging swellings’, its manufacturers also claimed that ‘it never decays’.Medical authors were divided on the subject. Thomas Apperley’s Observations in Physick considered the potential benefits of a small pinch of snuff against certain conditions, but was cautious of the effects in ‘one not accustomed to it’. In a 1790 Account of Several Excellent and Genuine Patent and Public Medicines a writer known as ‘Castor’ extolled the virtues of the ‘Cephalic Snuff’ in treating ‘hysteric and paralytic complaints’ as well as the ‘Complaints of the Head that Painters &c are subject to’!

Others were far less than convinced. In his 1799 Essay on Regimen James McKittrick Adair railed against the practice of snuff taking, since ‘encrusted snuff impedes the breathing’ while ‘acrid, poisonous oil’ produced by nasal mucous could be highly injurious to the stomach. Adair suggested that the ‘use of tobacco in any form is a vile practice’ and that sniffers of snuff should cleanse their nostrils and wash their mouths with warm water. Dr Allen’s Synopsis of Medicine from 1730 condemned the ‘inordinate use of snuff’ for apoplexy and others cautioned people to beware of the damage that ingesting snuff could cause.

In 1720 an anonymous Dissertation on the Use and Abuse of Tobacco in relation to the Smoaking, Chewing and Taking of Snuff, and was ‘humbly subscrib’d to the Ladies and Gentlemen who use it in the Above ways’. In 1760 Edward Baynard wrote a whole book of poetry about snuff, titled Health: to which are added cautions agains the immoderate use of snuff, devoting 36 densely written pages to his task. Snuff was under attack.

Part of the problem for naysayers of snuff was its popularity. Snuff had become a social ritual, and one popular at all levels of society. Taking a pinch had become embedded in popular culture, and with it came a secondary market in snuff paraphernalia. Snuff boxes, for example, became increasingly elaborate and ornate. As such they were high up the list of desirable items for pickpockets. In 1688 one Claudius Bertin was relieved of a gilt ‘Princes Mettle snuff box’ valued at thirty shillings. Two snuff boxes stolen from the house of the wealthy Don Diego Capyllar in September 1692 were valued at over £5 alone – then a princely sum.

George_IV_Silver_Hunting_Snuff_Box_1b

Jewellers and makers made a wide variety of boxes in precious metals and bedight with jewels and ornamentation. In 1765 a Mr Burnsall of London begged leave to keen to acquaint the public of the wide range of goods, including ‘Agate snuff boxes richly set in gold’ that he had for sale in his London shop.

Fans of the product even took to the newspapers to defend their favourite ‘tipple’. A poem found inside an 18th-century recipe collection provided, taken from the Chester newspaper of 1761, proselytized about the power of snuff to lighten the day and preserve the health. The first three verses should be enough to give a flavour:

‘Six reasons for taking a pinch of snuff
When strong perfumes and noisome scents
The suffering nose invade
Snuff, best of Indian weeds presents
Its salutary aid

When vapours swim before ye eyes
And cloud the Dizzy breath
Snuff, to dispel the might applies
Its quick enlivening grain

When pensively we sit or walk
Each social friend away
Snuff best supplies the want of talk
And cheers the lonely day’.

Woman taking snuff

Snuff-taking continued unabated into the nineteenth century; ‘celebrity’ snuffers included Benjamin Disraeli, but the practice gradually declined as it became increasingly viewed as an antiquated relic of the past. Whilst it is still possible to buy snuff today, it is unlikely, given its many nasty side effects including mouth and throat cancer. Unless someone bothers to invent ‘e-snuff’, which seems equally unlikely, then it seems best to consign it to history. Nonetheless, it does provide us with a useful means to look at how people dealt with addictions, and in particular tobacco use, in the past.